March madness returned to Hong Kong reportedly in the coldest March weather since 1978 and there was a steady downpour as made my way from the IFC towards the large Art Central marquee on Hong Kong's harbour front. Work commitments meant that I had to tackle both Art Central and Art Basel Hong Kong in the same day!
As I arrived at Art Central, the rain had obviously made a dent in the audience figures but also made viewing the artwork a little more convenient. The outdoor food court area was a wash-out but in the exhibition hall there were some notable pieces of work to see. As I toured around the gallery booths, I had talk to artist Claire Lee at the Mur Nomade booth and later I met Professor Chan Yuk Keung of the Chinese University of Hong Kong, who was also visiting.
A bite to eat replenished my energy before walking across to the Convention and Exhibition Centre to take in this year's Art Basel HK. Approaching the escalators from the vehicle drop-off level, I passed a huge queue of people lining up in the hope of purchasing a day ticket.
This year the 'hot' material was cardboard. It was everywhere, stacked up on trollies, squashed into bails, made into artificial rocks, whatever you could think off.
I managed to keep moving forward despite flagging spirits and I was rewarded by a few treasures that appeared before me as though to rescue me from exhaustion.
After 5 hours I reached the end and before leaving the Centre I collected a bright green Frieze bag full of magazines and journals from the various stands in the lobby area. I also bumped into Art writer John Batten, on his way in for one of the panel sessions set aside for conversations / discussions.
Below is a sample of the gems I discovered during my day, artist name listed:
Showing posts with label Richard Long. Show all posts
Showing posts with label Richard Long. Show all posts
Saturday, April 30, 2016
Thursday, July 24, 2014
'Going Round in Circles', performance - Part 1
On Wednesday 30th July 2014 I plan to conduct a solo performance in Tai Tam Country Park, Hong Kong.
I will walk around a circular path, which leads around a small hill, from 9 to 5 - the archetypal working day, stopping for 15 minute breaks in the morning and afternoon and a 1 hour lunch break. I will carry tools that I will not use.
If I am part-way around a circuit when it is time for a break or lunch, I will continue to complete the circuit before beginning the break. The performance will go ahead whatever the weather, unless a typhoon No.8 signal is hoisted and I am unable to catch the ferry to get to the location.
At the end of the day, I will have spent the day traveling without getting anywhere and I will have carried tools without producing anything.
I will walk around a circular path, which leads around a small hill, from 9 to 5 - the archetypal working day, stopping for 15 minute breaks in the morning and afternoon and a 1 hour lunch break. I will carry tools that I will not use.
If I am part-way around a circuit when it is time for a break or lunch, I will continue to complete the circuit before beginning the break. The performance will go ahead whatever the weather, unless a typhoon No.8 signal is hoisted and I am unable to catch the ferry to get to the location.
At the end of the day, I will have spent the day traveling without getting anywhere and I will have carried tools without producing anything.
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