Showing posts with label Brighton University. Show all posts
Showing posts with label Brighton University. Show all posts

Saturday, July 14, 2018

Dennis Creffield, 1931-2018

I was saddened to read that the artist Dennis Creffield had passed away, and that it had been two days before I had picked up on the news.

I will not attempt to write an obituary for Dennis because that has already been done with great respect by others much more academic than I am. However, I would like to recount a story of loose connections that I noticed as I was reading back on his career as an artist.

I grew up in Leeds, Yorkshire in the north of the UK and attended Leeds College of Art (Jacob Kramer College of Art as it was known back then) and I frequented Fine Art degree shows held at the local Leeds Polytechnic (later to become Leeds Beckett University) and also Leeds University.

In 1977-78 I first attended the Pre-BA Foundation Course but after reflecting on my output of work and arriving at a less than satisfactory outlook upon it, I decided to work for two years in order to save up the money to pay myself through the course again. In 1980-81 I repeated the year and this time everything seemed to slot into place. I guess the first time I was looking for something that wasn't there, a secret perhaps that would explain how to become an artist. In 1980 I realised that there was no secret, in fact I needed to look inside myself to discover the way forward.

Dennis had spent a year teaching at Leeds University in 1964-65, just up the road from my alma mater, although by the time I had reached art school Dennis had already left for Brighton on the south coast. His first solo exhibition had been held at Leeds City Art Gallery in 1964, the same gallery where I saw my first art exhibition in 1976: wonderful paintings by Stanley Spencer.

The Guardian obituary also talked about his friendship with the poet Peter Redgrove and how they used to  frequent Schofield's Department Store, which I knew well. Sadly this store has long-since been demolished.

Interestingly, earlier this year I became involved with a collaborative drawing project entitled (tele)consequences initiated by Professor Paul Sermon and Jeremy Radvan of Brighton University. Not long after this project had taken place, I was packing up my books in preparation for a move and came across many volumes of the work of Peter Redgrove, books I had collected years earlier while still living in the UK.

Dennis had been a student of David Bomberg, who's work I also greatly admire and so it should be no surprise that I included examples of work by both artists when I gave a lecture and ran a half-day drawing workshop at Kyoto Saga University of Arts, Japan, back in 2013. If anyone is investigating the drawing process and wish to experience the power and emotional impact of drawing, then you could do no better than to examine the work of these two formidable artists.

More detailed information can be found at the following links:

The Guardian Obituary here.

Creffield talking about his working process here.

'Body and Soul', Dennis Creffield exhibition at the James Hyman Gallery here.

'English Cathedrals: Drawings by Dennis Creffield' here.

'Dennis Creffield: Paintings of Petworth' here.

At the Tate Gallery here.

Biography at the Borough Road Gallery here.

British Art Portfolio here.

At Waterhouse & Dodd, London here.

At the University of Brighton here.

Images from the Tate Gallery, links to original website in the image title.




Saturday, March 24, 2018

(tele)consequences - Drawing Collaboration, 13th March 2018

In the latter part of February this year I received an email from the UK Drawing Research Network, conveying news of an upcoming exhibition and symposium, entitled 'Marks Make Meaning: drawing across disciplines' to be held at the Brighton Grand Parade Gallery in the UK.

http://arts.brighton.ac.uk/whats-on/gallery/gallery-exhibitions-2018/marks-make-meaning-drawing-across-disciplines

Part of this event comprised a collaborative drawing performance organised by Professor Paul Sermon and Jeremy Radvan of Brighton University, and this drew my attention immediately as it pulled together two of my major current interests, namely: drawing & performance.

http://www.paulsermon.org

Subsequently, through email and Skype conversations with Paul I was able to arrange to be the collaborative partner for the performance which was scheduled to occur just prior to the exhibition symposium in the Gallery on the afternoon of Tuesday 13th March.

Paul has been working on this project for some time and he explained to me how it works. Two locations are connected via Skype and this link is used to visually connect two sheets of paper through the use of mobile phones, computers and a projector. In each location participants begin to make  a drawing and the resulting images are combined by projection.

On the evening of Tuesday 13th (at around 9:00pm) we established a connection and spent around 45 minutes setting up and checking the system, this was done in the form of a workshop with the help of students from Brighton University.

In the UK a large sheet of paper was fixed vertically to a surface in the Gallery and the image of this was beamed back to Hong Kong via Skype. In HK, Nina Yiu and I had a sheet of paper taped to the floor and a mobile phone set-up directly above it so that any resulting image would be beamed back to the UK and projected onto the vertical sheet of paper in the UK.

Whatever was drawn on the paper in the UK and also in HK, the two sets of images would be combined by the projector, with only a fraction of a delay experienced by both participants.

Set-up showing mobile phone fixed above the working area


At 2:00pm GMT (10:00pm HK time), we began working on the first of three 20 minute sessions entitled: 'Connected Cities', 'Water Body' and 'Eternal Migration'. Guests and attendees of the drawing symposium were invited to draw on the paper, either instigating a new image or reacting to something we had drawn.

In HK we had assembled a range of mark-making materials and other materials such as string, yarn, ribbon, coloured paper & scissors, which could be laid onto our horizontal sheet of paper. At the end of each 20 minute session, we simply cleared away the loose items and taped a new sheet of paper directly on top of the previous one, taking care not to disturb the mobile phone positioning.




Image development 
Mobile phone split-screen during the workshop


'Connected Cities', split-screen showing both 
Hong Kong / Brighton participants working on the image


'Water Bodies'


 'Eternal Migration'


Documentation of the whole event can be found here: 


Vimeo link here:  https://vimeo.com/261028255

Part of the 2 hour event, seen from the Hong Kong side, was edited into a short video: